Method acting is considered the most difficult to teach and to learn. Its main characteristic is that it lacks any specific or technical approach to acting. It is what the supporters of this type of acting refer to as the alternative to the clichéd, unrealistic, and so-called rubber-stamp acting. In other words, it is based in realism and realistic emotions cincin tunangan bandung.
The art of method acting was made popular by Lee Strasberg at The Actors Studio and the Group Theatre in New York City during the 1940s and 1950s. It was actually derived from the Stanislavski System who pioneered similar ideas in his teachings, writings, and acting at the Moscow Art Theatre which was formed in 1897.
Some of Strasberg's students included some very famous actors such as Paul Newman, Al Pacino, James Dean and a ton of others. The list is endless. Because there are many versions of method acting the exact approach depends on the particular version, which can include such practices as substitution acting or what is called emotional memory.
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Sanford Meisner, who was another Group Theatre pioneer, taught a closely related form of method acting. He differed from Strasberg's emotional memory theory and taught one that revolved around "fully immersing oneself in the moment of a character, and experiencing all sensations as the character would."
Stella Adler had another approach to method acting. Her technique is based on the idea that an actor must not use memories from their own past to bring up emotion, but instead use circumstances from their own imagination. She also taught that action was very important. It wasn't so much what we said but what we did while we said it.
Contemporary acting teachers, names like Jason Bennett, combine many of the acting theories of the last generation of acting teachers. These methods utilize a number of devices such as using the actor's imagination, calling on his or her life experiences to dive into the part, and various forms of psychology where actors are taught to imagine what a person would psychologically do when confronted with the situation in the script. For example, how would a person truly react if another person pulled a gun on them and was ready to shoot them? What terror would they feel? From that the actor tries to convey that psychological terror in the performance.
Bennettalso worked on what is called the use of human archetypes. Archetype work is rooted in Jungian Psychology and in the works of Michael Chekhov. Chekhov was very closely associated with Stanislavski. As Chekov's work evolved, he broke away from Stanislavski, Strasberg and the original members of The Group. Many believe that later in his life, Stanislavski began to recognize that Chekov's work was very important in developing modern acting theory.
Even though method acting is very hard to teach and even harder to learn, it is still regarded as the most realistic form of acting that there is.
Many people think that acting is all about glamour and living the good life. Maybe you get some fancy limo and a ton of other perks and that's all there is to it. Unfortunately, the real work of being an actor is not glamorous. There's actual work involved. Here is a typical day on the set of a major motion picture.
You're up at about 5:30 in the morning. Why? Because most likely you have a call time of 7 AM and the shoot is in Pasadena. You're on your own as far as getting there so you have to shower and shave early and hop in your own car and drive to the shoot. Traffic in LA is awful so you better get an early start. After you arrive and park your own car, a teamster shuffles you off to the film set. At the set you check in with the second director and then get in line at the food truck for a quick breakfast. No fancy meals.
Before you even get a chance to finish your bagel, a girl from wardrobe comes over to you and says they need to measure you for a new jacket that they picked out for your scene. After you get fitted they then ship you off to makeup. After about an hour of having your face tortured you're out of the makeup trailer with toilet paper stuck to your collar in order to keep makeup off your clothes. It's now time to head to the set.
The director and the whole crew, lighting, cameras, etc., are already all there setting up the scene. At this point the director will have a brief chat with you to inform you of the change in your lines that you spent half the night studying and memorizing. At this time you'll rehearse the new lines a couple of times on the set. Then they finish setting up the lights and whatever else is needed for the scene. This gives you some extra time to memorize your new lines. So you go to your trailer to do this. Yes, you actually get your own trailer. It's also the size of a walk in closet.
After about 20 minutes or so, the production assistant knocks on your trailer door and calls you back to the set. At this time they remove the tissue paper from your collar and you go to your mark on the set to begin the scene.
The scene begins. Your co-star approaches you and begins to say her lines. You then say yours and suddenly you hear the director say "cut!" You wonder what you did wrong. Actually, nothing. One of the lights on the set went out. The gaffer runs over, replaces the bulb, and then you start again from the beginning. They do a few more takes of the same scene from different angles. In the final cutting they'll decide which one to use.
You'll get about 2 shots done before it's time to change the set for the next scene. There's no applause or fanfare. You might get a "nice job" from the director, but that's about it. You then just sit around and wait for the next scene.
That is the truth about acting. Only about 10% of the time are you actually acting. The other 90% you spend waiting around for set changes and other things. So unless you have a major role that requires a lot of preparation, you better bring a deck of playing cards with you or you're going to be bored out of your skin.
At around noon you break for lunch. An hour later you come back, maybe do another scene and then get your sheets for tomorrow's shoot. You're done for the day and go home.
Not very glamorous is it? No, but when the film is released and you get to see what they've done with what seemed like pretty dull stuff, it simply amazes you. And knowing that people all over the world are going to be seeing you, well, that's what acting is all about.